Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Richard Bergh
after the pose

ID: 56309

Richard Bergh after the pose
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Richard Bergh after the pose


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Richard Bergh

1858?C1919,Painter, writer and museum director, son of Edvard Bergh. He studied in Stockholm, first at the art school of Edvard Pers?us (1841-90) and from 1878 to 1881 at the Konstakademi, where he met Nils Kreuger and Karl Nordstrem. His early work consists mainly of academically treated scenes from Swedish history and legend. In 1881 he left for France, studying in Paris with Jean-Paul Laurens and at the Academie Colarossi (1881-4); he made his debut at the Salon of 1883. In 1885, with Ernst Josephson and other members of the Scandinavian artists' colonies in Paris and Grez-sur-Loing, he became one of the main promoters of the Opponenterna, a movement of protest against the conservative attitudes of the Konstakademi; the following year this group formed the Konstnersferbund (Artists' Union), of which Bergh was a leading member throughout his life.   Related Paintings of Richard Bergh :. | Portrait of professor Karl Warburg | Author Per Hallstrom and his wife Helga | Portrait of Nils Kreuger | Hjalmar Branting | Konstnarens wife |
Related Artists:
Antonio Stom
Italian, 1688-1734
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anna dorothea therbusch
1721-82 German painter of Polish descent. She was taught by her father, the portrait painter Georg Lisiewski (1674-1751), and received further training from Antoine Pesne in Paris. She worked for Charles-Eugene, Count of W?rttemberg, in Stuttgart from 1761 to 1762, and for Charles Theodore Wittelsbach, Elector Palatine of the Rhine, in Mannheim from 1763 to 1764. In 1765 she returned, via Stuttgart and Hohenzollern-Hechingen, to Paris, where in 1767 she became a member of the Academie Royale. She met Denis Diderot and Philipp Hackert, both of whom she painted, and Charles-Nicolas Cochin , but, despite consistent support from Prince Galitsyn, she was unable to establish herself in Paris. In 1769 she returned to Berlin where she received commissions for mythological paintings (e.g. Diana and her Nymphs, 1771; Potsdam, Neues Pal.) from Frederick II, King of Prussia. She painted portraits of members of the Prussian court, and the Berlin bourgeoisie, and in 1773 was commissioned by Catherine II, Empress of Russia, to paint a portrait of the Prussian royal family.






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